The simplification of the pictorial elements was essential for Mondrian's creation of a new abstract art, distinct from Cubism and Futurism. He limited his palette to white, black, gray, and the three primary colors, with the composition constructed from thick, black horizontal and vertical lines that delineated the outlines of the various rectangles of color or reserve. In the 1920s, Mondrian began to create the definitive abstract paintings for which he is best known. In the movement he detailed his vision of artistic expression in which "plasticism" referred to the action of forms and colors on the surface of the canvas as a new method for representing modern reality.ฤก921 Composition with Large Red Plane, Yellow, Black, Gray, and Blue Mondrian's development of Neo-Plasticism became one of the key documents of abstract art.By using basic forms and colors, Mondrian believed that his vision of modern art would transcend divisions in culture and become a new common language based in the pure primary colors, flatness of forms, and dynamic tension in his canvases. Mondrian, and the artists of De Stijl, advocated pure abstraction and a pared down palette in order to express a utopian ideal of universal harmony in all of the arts. His paintings evolve in a logical manner, and clearly convey the influence of various modern art movements such as Luminism, Impressionism, and most importantly, Cubism. Mondrian's singular vision for modern art is clearly demonstrated in the methodical progression of his artistic style from traditional representation to complete abstraction.The dynamic balance of his compositions reflect what he saw as the universal balance of these forces. Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine.He simplified the subjects of his paintings down to the most basic elements, in order to reveal the essence of the mystical energy in the balance of forces that governed nature and the universe. A theorist and writer, Mondrian believed that art reflected the underlying spirituality of nature.
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